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Boomwhackers and Black Eyed Peas in… SCOTLAND

I’m really enjoying being a part of this enormous online community of music therapists, drum circle facilitators, and music-making enthusiasts. There are so many brilliant and talented people out there, and I’ve been thrilled to be involved in the music-making blogger community since January. One particularly thrilling day stands out for me personally thus far.

On the morning of May 4, I posted my Black Eyed Peas Meet Boomwhackers video blog post. I never anticipated the feedback and enthusiasm that was sent right back in my direction from viewers! One such inspired guy was Steve Sharpe. Steve wrote me within 14 minutes of receiving my email blast. “OMG! Kat, you are an answer to prayer! I have a gig at the end of the month with 300 Girl Guides and I’ll be opening their camp. The theme tune for the camp is this song!” What are the chances that the THEME song for his camp would be I Gotta Feelin’ by the Black Eyed Peas, which I had JUST arranged for boomwhackers??? Looking back, apparently the chances of amazing things happening are 100%, right? Usually we don’t realize miracles until after they actually happen in real life. Steve does interactive drumming at DrumFun in Scotland. DrumFun also has a Facebook page. Here is his video of the girls performing the Boomwhackers Black Eyed Peas song~

Girl Guides Celebration 2 from Steve Sharpe on Vimeo.

AWESOME work, Steve! Those girls are so blessed to have your expert direction and presentation! Looks like they had a blast.

Also, special thanks to Michelle Erfurt of Erfurt Music Resource, who gave me a personal phone call yesterday explaining how the Boomwhackers & Black Eyed Peas video helped her land a contract to provide music therapy to kids in Florida!

I’ll be putting the song to use again next week at Camp Kesem, a camp for kids whose lives have been touched by cancer. Have any more cool ideas for boomwhackers? Throw down a comment!

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9 Tips: Drum Circles for Kids with Special Needs

Marilyn, one of my subscribers, recently asked me about drumming with kids who have special needs. She and her business partner have been hired to run a drum circle at a summer camp! Marilyn is a drum circle facilitator in Jacksonville, FL, she runs Heart 2 Heart Circles, and she blogs at Marilyn’s On The Move.

Here are some starter tips for drum circles for kids who have special needs:

1. Find out how many kids, and find out what the grown up to kids ratio is. It’s important to keep the ratio high on the grown up end. Then you can ask the grown ups to keep the steady beat and assist the kids. Also, the fewer kids you have, the more individualized you can get. Take it all into consideration when designing your drum circle experience.

2. Find out the theme and function of the drum circle. Is this for a summer camp, a birthday party, an end-of-year celebration? Choose songs and chants appropriate to the theme.

3. Find out the needs of the kids, and make sure you have plenty of adaptive instruments to meet those needs. Check out the adaptive instrument section of my inventory list. Two of my favorites are the mallet cuffs that you can velcro onto a hand and the adaptive instrument mount for wheelchairs and desks.

3. Find out what chants, songs, and activities the kids already know. Start with those to build rapport and bring everyone together in rhythm. I would encourage using tons of chants and songs with the drumming. And as always, encourage the grown ups to sing along.

4. Build relationships with the kids in small groups or individually before the larger event. I have found that the most effective drum circles blossom from already-established relationships with the kids. Work in smaller groups for days or weeks in a row prior to a larger drum circle. This way, the kids know the songs and chants that you’ll use, and they anticipate the final day when everyone comes together.

5. Demonstrate exactly what you are planning for the teachers/counselors/grown ups. They are your TEAM, so utilize them! Go through the drum circle with them first in preparation if possible.

6. Use call and response and rumbles as mini assessments of the group in the beginning. Observe the group’s response, and base the direction of the drum circle on your observation. Be present. Meet the kids where they ARE, and slowly take them elsewhere, always evaluating their response to your facilitation.

7. Try firework rumbles. Have everyone rumble softly, and tell them that when you extend your hand towards them, they should let out a firework on their drum! This rumble can last forever with different spotlights – You can facilitate a larger firework rhythm over the soft rumble in different areas of the drum circle.

8. Spotlight the kids, build confidence. Once everybody has a rumble down, you can ask if there is a child who would like to come to the center to give the “cutoff.”

9. End with rumble intentions. Invite participants to call out one word, invite the group to repeat the word, then rumble in honor of that word/intention. For instance, say “we’re going to rumble for unity!” Then, invite the crowd to shout “Unity!” at the count of three, then rumble for unity.

Extras: There are some great themed-songs for kids at Listen and Learn. The artist Rachel Rambach is a music therapy colleague of mine in Illinois. She does a stellar job combining social, community, learning aspects to music. Pull out a guitar and check out her songs! Several of her songs can be used to accommodate larger groups and coincide with themes.

Another great resource is the Erfurt Music Resource. You can peruse through EMR by clicking on the pages and labels that suit your needs. Find out how other people do it! Find songs that are good for larger groups, find adaptive instruments that are good for kids who have special needs, and you’ll be all set!

Got more tips? Throw down a comment!

Image above courtesy of Diana Burrows.

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Say it so you can play it.

Arthur Hull always says “If you can say it, then you can play it.” It makes perfect sense. If you can say the rhythm with your voice, or if you can move the rhythm with your body, then you have embodied the rhythm.

None of my nuclear family members would admit that they are musicians. However, I started saying rhythms out loud as a young girl, thanks to my dad. When I was in 5th grade, my older brother Geoff went to fight in the Persian Gulf War. When he returned, my dad, my little brother and I had prepared a Welcome Home Beat Box Piece just for Geoff. Some of our influences included The Fat Boys (the Human Beat Box and Wipeout feat. the Beach Boys), Dogs Barking Jingle Bells, and chickens singing In The Mood. But we really wanted this original beat box piece to be just for Geoff. We rehearsed a lot, and it paid off because Geoff was in tears when he heard our live performance.

Our performance for Geoff sounded like this: Boom-che-Boom, BoomBoom-che-Boom, Boom-che-Boom-Boom-che, BoomBoom-che-Boom.

I recommend “liking” DrumCircles.net on Facebook by Shannon Ratigan. You get a new rhythm to say every week! I’m taking these to my two drum classes today for my students to say out loud. Some of my favorites include:

♫ Boom, sha-La-Ka-Boom-Boom (pause) Boom, sha-La-Ka-Boom-Boom ♫

Drum circle rhythm WaaHida in 4/4: 1+2+3+4+ ♫♫ Doum-tekkatekkaTek-tekkatekkaTek-ka-, Doum-tekkatekkaTek-tekkatekkaTek-ka-, ♫♫

♫♫ Boom – che-boom_che-boom-a-choc_o_late__choc_o_late, (dramatic pause) Boom – che-boom_che-boom-a-choc_o_late__choc_o_late ♫♫♫

Word association is a great way to get a 6/8 drum circle rhythm going. ♫♫♫ Fol-low-the-yel-low-brick-road-go-do-pa-ta-pa ♫♫♫

Special thanks to Shannon for sharing his rhythmic talents online!

There are examples of saying it and playing it in classical and jazz music. Because I am a classically-trained pianist, I’m especially moved by piano music. Here are some world-famous pianist examples of “saying it and playing it:”

*Classical example. Glenn Gould plays Goldberg Variations. Listen closely to #3. What’s that buzzing in the background? No, that’s not your home heater creaking or birds chirping outside your window. That is Glenn Gould himself. He was often criticized for his vocalizations during recordings, but somehow he managed to become one of the most famous and highest-acclaimed interpreters of keyboard music by J.S. Bach.

*Jazz example. Keith Jarrett plays the Paris Concert. Listen closely to the Blues excerpt. The recording engineers actually do a stellar job of covering up the voice, but, oh, it’s there. When I saw Keith Jarret play live in Philadelphia five years ago, he might as well have had a body double humming along up at the vocal mic.

What’s the last rhythm you said out loud? Share your ideas and comments below.

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VIDEO: Black Eyed Peas & Boomwhackers

Thanks to support from the Cancer Coping Center, I am going to make music, drum, and play boomwhackers with kids at Camp Kesem, a camp for kids with a parent who has (or has had) cancer. The camp is a week long, and they do all sorts of fun activities.

I awoke from sleep one night thinking of the perfect pop song for the official Camp Kesem song lyrics. The song has to be COOL if we want the kids to dig it. Hence, I’m introducing the Black Eyed Peas to Boomwhackers. Since none of the video footage of the kids will be made public, we’re sharing this humorous video as a demonstration instead. Enjoy!

I have pre-composed parts for 4 players (2 counselors, and 2 kids), but everyone else can improvise on cue playing boomwhackers in the G pentatonic. We’re going to throw in a chorus of boomwhacker sword fights, then another chorus of boomwhacker train lines. This is perfect for groups of 12 or more. And of course, we’ll record it all for the families’ viewing.

Do you use boomwhackers? Share your own stories, thoughts and comments below!

To play the song with your own group, all you need to get are some boomwhackers and octavator caps. You can peruse more boomwhacker items by checking out the boomwhackers section in my inventory list. You can either use a glockenspiel for part of the melody, or fill in your own words to fit the theme of your group as I’ve done. (See below.)

Click here to download the boomwhacker arrangement

Here are the official Camp Kesem song lyrics:

Don’t stand in front of me, I may not follow.
Don’t stand behind me, I may not lead.
Just stand beside me, and be my … friend.
We’re here together, at Camp Kesem.

I also have a video for Boomwhackers Gone Gaga!

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