Word on the street is that Babatunde Olatunji came up with a speakable language for African rhythms. Then he passed it on to Arthur Hull and others, who passed it on to me and you and many others.
Middle eastern drumming also has a speakable language.
You can extract a speakable drumming language from modern American music, too.
To say it so you can play it is really a great way to internalize music.
I shared the video below on Wednesday with subscribers who opted in to receive the eBook. Sign up over there → to get secret videos and announcements in your email every once in a while!
Here’s what music therapist Carolyn said: It reminded me of some scat singing I once attempted with a female client who really liked jazz. It also inspired me to try using my voice more for rhythmic purposes in sessions, rather than just for singing “traditional” songs.
Here’s what drummer Jo said: I am in SW England and the way we say it is Bass, Rim, Slap – Some times Boo Kaa Tin and with the children we make up all sorts of our own out of insects or food or toy names.
















Catch me if you can–