Archive | October, 2010

You are special, and I want to hear your opinion.

On my Facebook and Twitter pages, I sent out a survey, and guess what I found out: Half of the voters would like to see more personal experience stories as a music therapist here at Rhythm For Good. Group drumming ideas in various formats (written content, videos, products, and recommendations) came in a close second place.

Have an opinion? I’d love to hear your thoughts. What more would you like to see on Rhythm For Good? Here’s the survey.

In the spirit of sharing personal experiences as a music therapist, this video is in reply to Michelle Erfurt’s latest post. This is one of my go-to songs for family bonding with kids. I’ve used it with pediatrics, kids who have special needs, and baby/toddler music groups. I think it comes from Sesame Street, but I first learned it from Dianne Gregory.

You can download the lyrics and chords here. What’s a song that makes you or your loved ones feel special?

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Guest Post: Rhythmic Relationships, 3 Facets of Interactive Rhythm Making

I’m honored to have master rhythm maker and fellow Atlantan (before I became a San Diegan) Dave Holland post today! Here’s what he has to share:

Let’s face it, if you’re a music therapist, drum circle facilitator, or music educator, there’s a lot to consider everyday: lesson plans, scheduling, billing, marketing, individual practice, logistics, instruments, etc. But at the end of that long ‘to do’ list, there’s one truth about what we do that continues to surface for me – that we are in the relationship business.

The simple equation I use to create successful rhythm making sessions through relationships is this:

ME + YOU = WEEEE!!! Here’s the break down…

ME – This is the relationship a participant has with his/her self and the instrument they are playing. As a facilitator, we can quickly put a new rhythm maker at ease with the following steps:

  • Create a welcoming environment by greeting each participant personally and inviting them to choice from a variety of instruments.
  • Make participants feel Included by acknowledging their presence (& presents!) in the circle and their choice of instrument and/or rhythm.
  • Create a safe environment for self expression by reminding participants that there are ‘no mistakes’, suggesting safety tips (removing rings, etc.) and modeling instrument playing techniques.

YOU – This is the relationship a participant has with one other person in the group. These single links are essential to building a strong rhythm chain! Here are some steps to facilitating these ‘one on one’ interactions:

  • Create interaction and cooperation by inviting participants to introduce themselves to one other person or to share their instrument with the person next to them.
  • Create rhythmic dialogue by handing out complimentary parts or encourage participants to leave some space in their rhythm so they can ‘hear what the person next to them is saying’.
  • Introduce rhythm games or body beat activities into your session that encourage ‘one on one’ interaction. (Foley in Kalani’s Amazing Jamnasium is one great example! )

WEEEE!!! – This is the relationship each participant has with the group at large and the feeling we all get when rhythmic synergy happens! Here are a few things we can do to facilitate this ‘big picture’ relationship:

  • Celebrate the community ‘rhythm song’ by showcasing timbre groups.
  • Integrate movement/dance and song into the rhythm making experience.
  • Hand the experience over to the group by slowly moving yourself out of the role of facilitator and into the role of community rhythm maker!

The more we do to help participants create relationships with the instrument they’re playing, the other folks around them and the experience as a whole, the more successful we are at doing what we love; bringing people together in rhythm! And it begins to put that long ‘to do’ list into proper perspective!

Big thanks to Kat for providing the opportunity to share!

Happy Rhythm Making!

Dave Holland is a nationally recognized world percussionist, drum circle facilitator and workshop presenter. He is the owner of Beatin’ Path Rhythm Events and author of Drumagination: A Rhythm Playbook for Music Teachers, Music Therapists and Drum Circle Facilitators.

Find out more about Dave’s work as a facilitator and teaching artist, as well as his rhythm products for kids. Also, find out more about Dave’s workshops for the rhythm making professional and other professional development resources.

Be sure to join Dave at the upcoming International Percussive Arts Conference in Indianapolis for the Drum Circle Facilitator Workshop!

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VIDEO REVIEW: Adaptive Accessory for Drumming~ the Mallet Cuff

My all-time favorite adaptive accessory for drumming is (drum roll…) the MALLET CUFF. If you are drumming with older adults or special populations, then you gotta get a few of these. Check out my review in this two minute video, and you’ll be rewarded with a fun musical number via piano and drum at the end ;) ~

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Before Your Music Therapy Session or Drum Along with Older Adults Make *Sure*…

One of my subscribers Marilyn of Blonds Drum 2 asked me about her older adults group yesterday: “Since there are only about 20-25 in the group, we wonder if we need the amp. Do you use one for your guitar and singing? Headset or mic?” Perfect timing for this question because I’ve been writing this blog post for the past few days!

11 Reasons Why Drums Work with older adults has gotten more page views than almost any other post, so I thought I’d piggy back the idea with some practical tips.

Most of these bullets points are meant for assisted living, skilled nursing, and memory care communities. Tips for providing music therapy or drumming for independent living communities are different. Before you even step *foot* inside the older adults community to provide music therapy or drum, make sure that you…

1. Find out the purpose of your session. Why are you there? Be absolutely clear with the program director that you understand the purpose of your session. Here are some possibilities: one-time celebration, life engagement & wellness, themed or seasonal event, provide sense of community, recreational activity. Music therapists may be there to reduce pain, decrease isolation, anxiety, and depression, co-treat with other therapists, address psychosocial needs, or more. If you’re getting paid, make sure there is a written agreement between you and the community that clarifies details.

2. Find out the demographics and size of the group. Is it a diverse group? How many participants will there be? Are they all older or are some residents in their 20s, 30s, 40s? Do the residents speak English, Spanish, other? There is a Finnish resident in one of my facilities. She usually sits comfortably with her eyes closed and minimal response. But she comes to life, sings, opens her eyes, and smiles every time we all sing Sibelius’s Finnish National Anthem. Find out about your residents so you can make deep, personal connections.

3. Learn everyone’s names. If the group is too large to do so in the first session, bring name badges to write out and stick on! No matter the circumstance, hearing your name sung or drummed to you is such a meaningful and special experience. This is an easy, instant acknowledgement and rapport-builder.

4. Ask for armless chairs for ambulatory residents. This makes it easier to do movement with music and play instruments.

5. Recruit help from caregivers or staff. Don’t be too shy to give your small percussions to the aide in the room for passing out to the residents. Besides, you need to make sure you follow all 8 Tips for Self Care While Serving a Client, so utilize all extra helping hands that are available.

6. Clearly express the all-inclusive nature of your session. On rare occasions in the past, I’ve had to be assertive in gently wrapping bells around wrists or using the velcro adaptive mallet against the wishes of the caregiver. Depending upon the background and training of the caregiver, he/she may say “No, she can’t really do that.” But when he/she sees the resident make music, or when you demonstrate hand over hand assistance, there is almost always understanding.

7. Request that the residents sit in a circle. During most “performances,” the residents probably sit audience style, but you are offering something different. You are building the community from within. You are providing an opportunity for the residents to bond and feel a sense of togetherness within the facility. Make sure everyone can see each other in your group. Don’t settle for audience-style seating. Take a stand and make sure everyone is in a circle.

8. Request that the group be set up and ready to go as soon as you arrive. This way, your time and their time is maximized. You’re not getting paid to rearrange residents. You’re getting paid to make some music and/or provide music therapy.

9. Use a mic only if absolutely necessary. I do not recommend using an amp or mic for the first session. For me, lugging around the extra equipment has not proven to be useful with older adult groups less than 30. You can decide after the first session whether or not you’ll need to bring a mic. But if the acoustics are absolutely poor or there are >30 participants, use a portable PA system with lapel mic. This way, you can strap on the mic while walking around making personal connections.

10. Consider morning sessions instead of afternoon. I have found that for assisted living and skilled nursing facilities, residents are more alert in the mornings. I make several exceptions, but only at independent living communities *and* nursing facilities where I trust the caregivers to help me stimulate the residents during the session.

11. If you are a music therapist, provide assessment and documentation. Allow ample time and charge for each. Here is a spreadsheet I use to calculate net revenue per session, accounting for gas mileage, travel time, session time, and tax estimate.

12. Learn about more opportunities in the community. Find out if while you’re there, you can provide a session on the opposite side of the campus or in a different level of care. The four primary types of older adult communities are: Independent Living, Assisted Living, Skilled Nursing, and Memory Care. Many communities offer all four levels.

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