Archive | April, 2010

28 Group Drumming Workshops Left in 2010

If you missed the 17th annual Seattle World Rhythm Festival this past weekend, don’t fret! DrumSTRONG 2010 is an event to raise money and support for cancer research. DrumSTRONG is worldwide, simultaneous group drumming, happening in 40+ cities around the globe on May 15-16. Find out where the nearest DrumSTRONG event is to you and go BEAT out cancer!

And, there is ample opportunity to get rhythmatized in 2010. You don’t have to be a musician or music therapist to go to any of these workshops! Check them out in order of date below. These are USA workshops and trainings only.


Training/Workshop Provider Location Date
Remo’s HealthRhythms Adolescent Orlando, Florida April 29 – May 1
Layne Redmond Lenox, Massachusetts April 30 – May 2
Village Music Circles Live Oak, Florida May 5-7
Up Beat Drum Circles Boulder, Colorado May-10
Up Beat Drum Circles Encinitas, California May-10
Up Beat Drum Circles San Francisco, California May 14-16
Layne Redmond New York, New York May 15-16
Rhythm Planet Baltimore, Maryland May 28-31
Music Therapy Drumming Gaithersburg, Maryland June 18-20
Developmental Community Music Chicago, Illinois July 7-11
Developmental Community Music New York, New York July 14-18
Music Therapy Drumming Dallas, Texas July 23-25
Developmental Community Music Los Angeles, California July 26-31
Village Music Circles Mokuleia, Hawaii August 9-15
Drumagination Atlanta, Georgia August-10
Layne Redmond Jackson Hole, Wyoming September 3-5
Up Beat Drum Circles Red Feather Lakes, Colorado September 3-5
Remo’s HealthRhythms Princeton, New Jersey September 10-12
Layne Redmond Los Angeles, California September 11-12
Rhythm Planet Atlanta, Georgia September 30-October 3
Layne Redmond Melbourne, Florida October 1-3
Layne Redmond Atlanta, Georgia October 23-24
Layne Redmond Lewes, Deleware October 29-31
Layne Redmond TBD, Texas November 5-7
Remo’s HealthRhythms Austin, Texas November 12-14
Layne Redmond Twin Lakes, Michigan November 19-21
Layne Redmond Lenox, Massachusetts November 26-28 and November 28-December 1
Village Music Circles Fredricksburg, Virginia December 3-5

PS Jim Donovan does too many to list, so go check his out if you’re in Pennsylvania or Italy!

PPS A Trance Drumming Workshop is going on in San Francisco starting June 1.

Let me know if I may have left yours out~ And have fun drumming!

Thanks to Lucas Lee for the image above.

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How to Use the Voice for Self-Care

In the People Inspire Me post a couple of weeks ago, The Crazy Music Lady asked me exactly what I do with the voice in self-care sessions for healthcare professionals. The Crazy Music Lady shares very funny stories from the front lines of mental health, (I LOVE her posts!) and when I read Threats on your Life, I understood why she may be interested in self-care. ;) Check it out~

The reason I write about using music for self-care is that I enjoy the challenge of experientially connecting everyday, regular people to the field of music therapy. Music therapists are highly qualified and trained to work with Alzheimer’s, oncology, and autism. But relating music therapy to your average Joe is just a bit outside the box. That’s why I like to attend extra conferences, continuing education opportunities, and workshops, apply new techniques to my practice, then pass on what I’ve learned. Many of my friends, family, and readers work in an office, so I wrote 9 Crazy Ideas for Playful Spontaneity during the Work Day in order to connect them to the idea that making music is good for your health. Toning goes a step further.

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Music is the harmonious voice of creation; an echo of the invisible world.
–Guiseppe Mazzini

Toning

I was first introduced to toning in my internship at Musicworx of California. Since then I’ve read a few books by Jonathan Goldman on the topic of toning. The basic idea of toning is to create a massage on the inside of your body with an elongated vowel sound. We get massages on the outside, but the voice is a simple way to loosen up muscles, organs, and tissues on the inside with your own vibrations. Makes sense, right?

Jonathan Goldman’s audio CD on vocal toning is a good resource to learn about vowel sounds corresponding to specific areas of the body.

Quick Tip

I usually start a toning session with beginners by demonstrating an easy trick to move vocal vibrations from the top of the head into the chest cavity.

Put one hand on your jaw. Put the other hand on your chest area. Now tone on eeeeeeeeeeeeeeeeeeee. Then tone on ahhhhhhhhhhhhhhhhhhhh. You should be able to notice the way that you can intentionally move the vibrations up and down your body, using vowels and pitches. Eeee goes with the jaw, ahhh goes with the heart. I invite you to experiment with timbre, pulse, and volume as well.

Exercise

Center Yourself: Take a few deep breath, and bring your awareness to your body.

Warm Up: Hum. Hum anything. Hum a familiar tune. Make up your own tune. Continue to hum. Hum with an open mouth, and experiment with different vowels.

Be Present and Tone: Close your eyes and bring awareness to your voice. Make each breath slower and each vowel longer. Continue toning (humming with an open mouth) for several minutes. With each exhale, notice the vibrations that are produced in your body. Enjoy. Take this exercise as far as you are comfortable, even into deeper meditation and relaxation.

Regroup: Slowly bring your awareness back into the rest of your body. Wiggle your fingers, your toes. Open your eyes. Move the rest of your body gently and slowly. Stretch.

Process

What was this like for you? Did you notice any difference between the higher pitches and the lower pitches, louder and softer, different vowels? Did you notice a change in your body temperature? Any other discoveries?

I would love to hear your thoughts and comments on the practice of toning, so feel free to leave a note and get in touch!

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You know you’re a music therapist when…

This is the most fun, recent hashtag I’ve used on Twitter. Go to Twitter and type “youknowyoureamusictherapistwhen” into the search bar to see all of the entries. Here it goes in 140 characters or less!

1. you’re adapting lyrics to “Party in the USA” for a presentation. (via Excelsior72)

2. you have to put your groceries in your back seat because your trunk is full (via michelleerfurt)

3. you have at least a dozen stock phrases to convince participants that they CAN make music (via Rachelle881)

4. any two taps in succession by your infant with her spoon counts as a beat to immediately echo back to her (via timringgold)

5. you write songs to teach neuroscience! Love it KimberlySMoore

6. the bumps you hit on the road are emphasized with a jingle jingle ♫

7. you are transcribing the latest Black Eyed Peas song for boomwhackers ensemble

8. your filing cabinet contains health docs, tax docs, receipts, business docs, and songs to learn

9. you take a turn in the car and get the whoooooooosh of the ocean drum somewhere underneath the back seat

10. fun djembes and other world percussion becomes part of your home decor

11. you impress your business professional friends by reciting all the lyrics to latest tween heart throb hit

12. the finished product from a visit with the fam includes a well-polished music video w/everyone making music

13. you turn baby babble into song and/or guitar riffs

14. you own enough musical instruments to invite neighbors within a city mile radius over for a jam session.

15. you’ve got the following in your head: bellydancing rhythm, functional kids song, April Showers, & J Denver

16. you listen, then politely and diplomatically clarify when people ask you if you are an entertainer

17. you start noticing the iso-principle and entrainment out there in the real world…

Anymore to add? Share more in a comment!

Photo courtesy of Pixomar.

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VIDEO: Drum with Older Adults

I wrote a description of this song intervention in No Worries, No Hurries, and No Wrong Notes. Now you can see it in action! I am using Blue Suede Shoes as a guided music-making experience with improvisation. Because Blue Suede Shoes is a standard 12-bar blues, you can use any song with the same form. Other songs I use include Rock Around the Clock, Hound Dog, Elvis selections, Eric Clapton selections, and more.

When drumming with older adults, remember that people take comfort in synchronicity and familiarity. With that in mind, I always start the group session with a greeting song that includes everyone’s names, check-in exercise, orientation to others in the group, movement, and breathing. Then I can assess whether or not the group is ready for drumming.

Once I hand out drums, I start out with some simple familiar exercises that you can watch in the post Make Music with Older Adults. Then, I invite all the participants turn to their neighbor and say “Wow! You’re a good drummer!” As soon as the participants are comfortable making some music on the drums, then I suggest using this guided experience with improvisation.

I also use Arthur Hulls bunny hop technique found in the Drum Circle Facilitation book: I start with big visual and vocal cues, then gradually taper down and disappear, providing the basic chordal and rhythmic supportive structure in the background of the players. The focus is on the players, not the therapist or facilitator.

After the session, I always document the group’s behavioral and psychosocial responses. Have fun!

PS There are a million and one variations to the directions that I lay out in this example, so be sure to to adapt, change, and transform for your own groups.

What do you think? Is this similar to your drumming experiences with older adults?

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17 Musical Instruments You Can Find at Your Workplace

I’m always encouraging people to make music during the day as part of a regular wellness regime. A couple of weeks ago, I wrote 9 Crazy Ideas for Playful Spontaneity during the Work Day. This time, you can see how easy it is to jam with your office mates.

I dedicate this post to John Kozak, co-owner of Fulton & Kozak, CPAs. The full story of my inspiration can be found below. This post is also a gift to all of my CPA friends, my dad, my mom, my brother, my sister-in-law, and everyone at F&K in Morrow, Georgia for the end of tax season. Congratulations everybody! Now you can relax and start an office jam session!

A friend the other day told me about their 2 o’clock office gong break. Apparently, at 2PM every day, all the employees take a minute to reflect during the ringing of the gong. What a great idea to encourage checking in with yourself and/or a feeling of relaxation. Let’s take music & wellness in the workplace further now by jamming with your co-workers.

The first steps to an office jam session are just as important as the instruments you choose to play. A balance of good preparation and adapting in the moment will make for good rhythm at your place of employment.

Get started here:

1. Conspire with others. There is power in numbers.

2.
Decide on the time and location of the first jam. Are you going to start the jam spontaneously, or are you going to plan a first rehearsal? What fits the culture of your office? You could try to start a jam spontaneously. For instance, go visit a friend in his/her cube, and start stapling the stapler in rhythm. See what your friend does. Maybe he’ll join in… If he responds verbally, just keep bobbing your head to the beat and smiling. If you’re going with spontaneity, then skip #3.

3. Set up a first rehearsal. Send out a memo, email or tweet that gives everyone a time and a place for the meeting. You can decide whether or not to make the jamming aspect of the meeting a surprise. You could call it a “Team Builder” or an “Office Refresher.”

4. Designate players. Don’t ask if he/she would like to play. That gives him/her a chance to say no. For instance, go up and hand the hole puncher to someone, and demonstrate how to make rhythm with the hole puncher. The more nonverbal you can make the instructions, the better, because people will focus more on the rhythm and less on verbal comments.

5.
Make sure someone reliable is laying down the bass. A key to any successful first-time jam session is finding someone who can keep a steady foundational beat. Give that person an instrument with a low pitch such as the large water bottle or an upside down bucket.
Use these mallets: Pencils, pens, highlighters, rulers, letter openers, closed scissors, forks, knives, spoons

Play with these office items:
1. Strike a large community water dispenser with mallet
2. Staple a stapler. Staples are cheap, so use them rhythmically!
3. Punch and release a hole puncher. One, two, three, and more holes work.
4. Stretch and pluck rubber bands melodically.
5. Shake paperclips or thumbtacks in their container.
6. Jingle car keys or coinage rhythmically.
7. Use a mallet to strike and slide across a small, ribbed water bottle as a guiro.
8. Make sure the computer power is off, and slide a mallet across the keyboard, another guiro.
9. Slide and strike a mallet on an air vent, another guiro.
10. Flip the pages of a large book slowly, another guiro.
11. Open and close the microwave door if the kitchen is handy.
12. Strike an upside-down bucket. You might find one under the sink in the bathroom.
13. Pop bubble plastic.
14. Click a retractable pen on and off.
15. Crumple paper or rub two pieces together rhythmically.
16. Play a cell phone ringer as a last resort unless you can find one that you can adapt to the group’s rhythm.
17. Play a MacIntosh or PC start up sound, another last resort.
Let me know how your office jam turns out!

Here’s the story that inspired me to write about an office jam session:

My parents bravely established a small accounting firm in Atlanta, Georgia, in 1984. That was with 4 kids and $0.00 income. My brother and his business partner John purchased the flourishing firm (now with 20+ employees) a few years ago.

In the summer of 2000, I worked as the receptionist at the business. John and I would play pranks on each other. I would slip subliminal messages underneath all the business bullet points on his dry-erase board about how he should go out and buy my favorite potato chips, he would switch around my desk drawers, I would glue on all the caps to his pens, he would set my cell phone to Spanish, and we would greet each other with a “Kathryn” and “John” like Neuman and Jerry in Seinfeld.

My family knew that working in an office all day (instead of making music) gave me nausea, dizziness, dry eyes, and headaches. So, to break from the monotony, I decided to shake things up a bit. I went to the intercom when everyone was out at lunch, except John. I was hoping that John didn’t know everyone was gone. That way, John would be tricked into thinking that everyone was listening!

I announced, “Attention all DJ Fulton CPA employees, as part of the implementation of the new Corporate Zerotasking Campaign we are calling all of you in for a mandatory dance party on John’s desk in 60 seconds. That’s on John’s desk in 60 seconds. Please quit your blamestorming and come down for a dance party on John’s desk now.

He flew into my office with a face as red as the Georgia red clay on a rainy day! It worked ~ He thought everyone heard the announcement! I thought he might explode.

And then, much to my surprise, one kind, gentle, extremely reserved, rule-following employee arrived at my desk to ask about the dance party. I hadn’t intended for anyone actually to HEAR that announcement! Whoops. Joke was on me. This kind of behavior just isn’t appropriate for an accounting office, right? My face was Georgia red clay…

I’ve since decided that a dance party on top of a coworker’s desk may be asking too much. Knowing what I know now, an office jam session would be a much more effective intra-office experience!

Have you had any musical interactions with your office mates? Let us know by leaving a comment below.

Photo courtesy of Carlos Porto.

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